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Category: Best turntables

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  • Ready to buy your first turntable? Read these 4 tips before you shop

    Much to the detriment of my bank account, I take a certain measure of satisfaction in the fact that I’ve passed my love for collecting vinyl records on to my teenage daughter. Granted, her lust for vinyl has more to do with the artwork, cool posters and inserts, and expressing her fandom by collecting albums from her favorite artists, but even if this is your motivation, too, you’re still going to want to actually play those pressed plastic discs. And for that you need a turntable.

    Buying your first record player comes with a lot of questions like how much to spend, what kind to get, do you need a phono preamp, what is a phono preamp, and what the heck is a cartridge? Luckily we’ve been reviewing turntables for years and are here to answer all of your questions. Here are four things I wish I’d known before buying my first turntable.

    How much should you spend on a turntable?

    Let’s start with the first question I ask anyone who asks me about buying a turntable — what’s your budget? Take a look at our guide to the best turntables for a quick reference point as to how much record players can cost, but the price will range depending on what you want to use it for and what you hope to get out of it, keeping in mind that, like most things, the more you spend the better the quality it’s likely to be.

    If you’re a beginner, or have a kid (like mine) with a handful of records that they’d like to play casually in their bedroom, or like the aesthetic and ambiance spinning a record delivers at social gatherings, there are plenty of excellent entry-level options for under a few hundred dollars. They’re basic, usually come pre-setup to play out of the box, and often have push-button automatic play features.

    If you’re a step-up from that and perhaps have a bit more money to play with, you can improve not only the sound quality you get from the turntable, but the likelihood you’ll have a player that will last you years, maybe even decades. For a few hundred dollars and up, you can find turntables with upgradeable parts, such as headshells, tonearms, cartridges and styli (more on this in a minute) that can vastly improve sound, making for a sound investment for the long term. Of course, adding a few turntable accessories can help a lot, too.

    What’s a phono preamp and do I need one built-in?

    A phono preamp, also known as a phono stage, is the electronics required to boost the low signal output that comes from a turntable’s cartridge and stylus so that it can be amplified by whatever speaker system you’re using. A phono “stage” is required at some “stage” between the turntable and your powered speakers, amplifier, or whatever you’re listening through. It can be built-in to the turntable itself, in a set of powered speakers, or as a “phono input” in many, often older, stereo receivers an integrated amplifiers.    

    Many modern turntables come with a phono stage built right in, and can often be switched on and off as needed, giving you the ultimate freedom for connecting to your gear. 

    If, for example, you have a pair of powered speakers that has a phono input (preamp built in), you do not need a turntable with a preamp; it’s covered. If it comes with one built-in anyway, you can switch it off and use the speakers’ preamp. 

    Additionally, if you’d prefer to use the one in the turntable, you can switch it on and instead plug the turntable into the speakers’ “line-input,” if it has one. A line input does not have a preamp-boost, which is why you’d need a phono stage before it. Still with me?

    Lastly, as I mentioned upgrading above, if you have a little extra money to spend, many audio lovers choose to use what are called external phono preamps (we have a list of the best phono preamps you can check out). These separate devices often offer much better sound quality and dynamics than those built-in do. They range in price from under $100 to several hundred, and is something you could explore down the line. 

    For most people, especially casual listeners or beginners, a turnable with a built-in preamp is a great no-fuss solution, and the good news is they come with many of today’s record players so you don’t need to really think about it much.

    What else do I need with my turntable?

    As we discussed a bit in the above section, in addition to a turntable and a phono stage at some point in the connection, you’re going to need two more things to make sound from your new record player — amplification and speakers.

    As we also mentioned, these can come in several forms. The traditional way is with what are called separates or components. The basic setup would be a stereo receiver or integrated amplifier that drives a set of passive (non-powered) speakers. Most people, especially audiophiles, lean towards this setup as it sounds the best and each component can be chosen, swapped, and upgraded as you desire based on your budget, space, audio quality you want, and more.

    Next is going the route of powered (or active) speakers that have the amplification built right into them and often have other features like built-in phono stages and connectivity like Bluetooth, Wi-Fi (more on these below), HDMI, optical and more, for use with other devices you have. Many also have built-in streaming services like Spotify and Tidal. Among the benefits of powered speakers, like our favorite Edifier S1000W bookshelf speakers, are that they can save you money and take up less space.

    Headphones are another popular way many people listen to their vinyl (for some ideas, check out our list of the best headphones you can by). Maybe you have roommates or like to have late-night sessions, and headphones are a great go-to. To do this, however, there are a couple ways. 

    If you’ve already built a powered speaker or amplifier-based system with a headphone jack, you can just plug into that and you’re good to go. If you’re set on headphones being your main method of listening (many do), or don’t have the budget for all that gear, then the next way is to get a turntable with a headphone jack built-in. There aren’t many out there, so your options might be limited.

    The next way is to add a headphone amplifier to your turntable. For this, you’ll need a turnable with the aforementioned built-in phono preamp or an external phono preamp that is then connected to the headphone amp, which will have its own volume controls and sometime other EQ and sound features.

    Another way more and more folks are playing their records is wirelessly, which we get into next.

    What about wireless turntables?

    It’s a wireless world, after all, so it’s no surprise that with vinyl’s resurrection into the modern mainstream, eventually the cable-free technology would find its way into the nearly 130-year-old invention. 

    We dive deeper into all the reasons you should and shouldn’t get a wireless turntable in another article, but what it boils down to is that if you already have Bluetooth or wireless speakers in your home that you love and/or maybe want to save some money by not having to go buy a whole new set of speakers or amp to play records, a wireless turntable bight be a good option.

    Starting with Bluetooth turntables, luckily there are some really good options available now as their popularity has risen. And while just by the nature of Bluetooth’s compression technology, the audio quality currently can’t match that of a record, with Bluetooth tech like Qualcomm’s aptX baked into many Bluetooth turntables, the sound is getting better all the time.

    With a Bluetooth turntable, connecting to a set of Bluetooth speakers or headphones is as easy as pairing any other Bluetooth device — a couple of button presses. Sound quality is generally pretty good, and you can bypass the need for messy wires (especially if you want to have your turntable across the room).

    Additionally, you could buy a pair of Bluetooth-capable speakers, like the Fluance Ri71, that also has HDMI and RCA connectivity so you can use them for other uses, too. Our favorite Bluetooth turntable for most people is the Audio-Technica AT-LP120XBT-USB, a tried and tested workhorse of a deck that will last for years. 

    If you want to take things a bit further, however, the other wireless turntable option is using your home’s Wi-Fi network for hi-res streaming to a system like Sonos. While the options for turntables equipped with hi-res streaming are few and far between at the moment, iconic audio brand Victrola makes several turntables that support hi-res playback over Wi-Fi at up to 24-bit/48kHz with support for both UpNP and Works With Sonos, meaning that they connect seamlessly and can be accessed through the Sonos app. Models include the $800 Victrola Stream Carbon that we’ve personally tested, and the $600 Victrola Stream Onyx.

    There are other ways to connect a regular turntable to a Sonos system, too, should you prefer that route. The point is, there are some great wireless options available for listening to vinyl, which is great for those who already have these systems in their homes and just want to add vinyl.

    Buying your first turntable is an exciting endeavour that will put you on a hopefully long path to enjoying listening to vinyl records for years to come. Hopefully this explainer helps on your journey.

  • Record Store Day reminded me why I love this movie

    April 12 is Record Store Day and during a conversation about Digital Trends’ editorial plans for it, I mentioned that I haven’t been to a record store. At least, not for multiple decades. I don’t collect vinyl records, so why would I bother? My admission became a challenge, and initially I went along to a local store purely to take some fun photos with the Apple iPhone 16E. But I left with a lot more than just some pictures.

    Visiting Spin Sounds

    A store sign on a pavement.
    Andy Boxall / Digital Trends

    After checking the Record Store Day website I went to Spin Sounds, which was the only somewhat local record store to me. I wasn’t sure what I was going to find, or what I really wanted, and my only plan was to get some pictures and see what happened. You see, I don’t own a record player, so there was very little point in choosing and purchasing a vinyl record. However, I do own a CD player and I buy CDs, so that would be my only possible “in.”

    There was a very particular ambience in Spin Sounds. The store was light, bright, clean, airy, and well organized. Racks, tubs, and stacks of records dominated the space, as you’d expect. Various patrons were gathered around the counter, all flicking through boxes containing 7-inch and 12-inch vinyl records, and while it appeared their actions were random, I have the feeling they knew exactly what they were looking for, and would instantly know it when they saw it. There was focus and intent, but in a casual, experienced way.

    The inside of Spin Sounds record store in the U.K..
    Andy Boxall / Digital Trends

    Beyond these traditional actions of commerce was something else. There was conversation. There was buzzing discussion about the items being purchased and possible trades, but what made me smile were the questions about incoming collections and their arrival. I could practically hear the pounding heartbeats as they worked out when they could next visit to see what was new. When I was leaving, a man came in with the expectation of finding records he’d clearly checked with the owner about beforehand. I was witnessing “the chase,” a phenomenon I knew only too well from my own adventures in collecting over the years, and I loved it.

    Finding a CD

    Choosing a CD in Spin Sounds record store in the U.K..
    Andy Boxall / Digital Trends

    All this time I had been browsing the CDs, but held out little hope in finding something to add to my own collection. I buy CDs from Japan and Korea, by artists from those countries, simply because I can’t find them in the few regular stores that sell physical media here. The chances of finding even one option in Spin Sounds seemed unlikely.

    My interest came up when I chatted to the owner, Lee Mayne, who told me in reality, he sent more products to Japan and Korea than he ever saw products coming in. It turns out there’s considerable demand for records released in the U.K. there, and for Mayne it can be the difference between never selling them here, or putting up with the shipping costs and selling them to keen local dealers on the other side of the world.

    A person holding a vinyl record.
    Andy Boxall / Digital Trends

    Mayne told me this coming Record Store Day would be the first for the store, and he was looking forward to seeing the reaction. He remained quiet about the potential, but admitted he’d ordered 7,000 British pounds (about $8,950) worth of exclusive Record Store Day products, and was actually concerned he’d ordered too little. As we talked about Record Store Day, he said it was probably a good thing I came to talk to him about it before the actual day, as it was highly likely record collectors would be queuing up outside. I had been warned about this beforehand, and knew there be no time for a tourist like me on April 12.

    Nostalgia comes in many forms

    The CD of the soundtrack to High Fidelity.
    Andy Boxall / Digital Trends

    While I was scanning through the hundreds of CDs, wondering if I’d find something, one caught my eye. It was the soundtrack to the John Cusack movie High Fidelity. As I pulled it out of the tightly packed CD rack, it seemed very appropriate, as the protagonist in the movie owns a record store. I remember seeing it in the theater, subsequently reading the Nick Hornby book, and I definitely owned the DVD but hadn’t seen it for a very long time. I remembered enjoying it, and feeling something about it. I picked up the CD, purchased it, and left Spin Sounds with a mission.

    A few days later I watched High Fidelity again. Released in 2000, it not only has vinyl records, but pay phones, paper telephone directories, and characters smoking inside the record store. Jack Black is Jack Black, and wonderful at it, and John Cusack’s Rob is neurotic, uncertain, and endearingly directionless, and still a character I relate to, in the same way I do with aspects of the character he played in Grosse Point Blank.

    A magazine and records inside Spin Sounds record store in the U.K..
    A collectible vinyl record in Spin Sounds record store in the U.K..
    Records in Spin Sounds record store in the U.K..

    When I first saw High Fidelity, I remember coming out of the theater and talking with my friends about Rob’s journey. Watching it again, this time as a considerably older person, I didn’t have the same reaction to it as my younger, definitely more neurotic self, yet I still really enjoyed High Fidelity 25 years on from its release. It made me laugh and I related to parts of it again, just different bits to before. It made me nostalgic. Not for the music, the vinyl, or the pay phones, but for the days when I went to see the film on the big screen.

    Records are only part of the appeal

    The inside of Spin Sounds record store in the U.K..
    Andy Boxall / Digital Trends

    Spin Sounds, vinyl records, and record stores are all about nostalgia. Whether it’s people reliving a previous time, or someone beguiled by a bygone time they never personally experienced, everyone involved is searchng for that feeling. It occurred to me I still rode that wave of nostalgia, just not in the way most would expect on Record Store Day.

    If I hadn’t visited Spin Sounds or seen the soundtrack on the shelf, it wouldn’t have happened. My CD is unlikely to earn me much kudos in the collector community, but I got something more from my visit because of it. It made it an experience. What I’m saying in all this is, don’t dismiss Record Store Day as being only for the geeks, the gatekeepers who frequent (and own) High Fidelity’s Championship Vinyl store, or even for those who only want to buy vinyl. If you crave a nostalgia high, stop by your local record store and take a look around regardless, as you may still find it even if you don’t want a record.

  • I haven’t been to Record Store Day in ages, but here’s why I’m going this year

    I love record stores. In the decade or so that I’ve been collecting vinyl, I’ve spent countless hours digging through dusty crates from Toronto to London to New York to Tokyo, often walking out with a stack of wax under my arm. I love the musty smell, the miles of crates, the music, the paraphernalia, my fingers getting grimy from flipping, and the endorphin rush of finding something cool or rare or new to take home and spin.

    Record Store Day has always been the exemplification of that dig culture, only with a bounty of rare and unique finds available for the taking. Or at least that’s the aim. But it’s not always as simple as that, which is why I haven’t been to an RSD in five years … until now.

    The glory of RSD

    First, though, I wan’t to say that I love what Record Store Day is all about and I support it. I love that it’s a positive community event that draws like-minded music lovers and vinyl nerds from far and wide. I love that it puts money in the pockets of independent record store owners struggling to compete with streaming services and online retail giants — every self-respecting vinyl lover should consider their local store first before launching that sideways-smiling app.

    RSD not only offers a sweet reward for fans looking for something special from their favorite artists, but even if you don’t walk out with that limited RSD pressing you stood in line for, maybe you’ll just have a fun time and leave with other titles and goodies under your arm. If you’re new to vinyl, go — it’s a blast.

    The heartbreak

    But, and how to put this gently — try not to get your hopes too high. Maybe I’m just getting older and less enthusiastic about crowds, but I’ve stood in a few too many rainy RSD lineups at six in the morning and walked away empty-handed to get as excited as I once did.

    Let me set the scene: The last RSD I got up early for, I was second in line for my favorite record store’s only copy of Pearl Jam’s RSD exclusive of its MTV Unplugged. OK, so not the rarest of RSD releases, but it was the only record on that year’s list I really wanted. After waiting in the cold (it was a Black Friday RSD, and I live in Toronto) for two hours, which record do you think the one guy in front of me beelined it for? I’ll give you a hint — it wasn’t Taylor Swift, and there isn’t a revenge song in her catalog that could have eased my pain.

    I know, I know, with limited copies to go around to each store, the odds are stacked against zealots like me. But that wasn’t the first time that had happened, and even though I walked out of there with some consolation records in tow (I did find a nice used UK pressing of New Order’s Substance), I decided that would be my last Record Store Day.

    Never say never

    It would take a lot to get me up at the crack of dawn to stand in a RSD queue again (maybe for a sweet Radiohead box set or something — never say never). Plus, there are ways to do Record Store Day right to increase our chances of success. Now, though, my motivations for participating in RSD have more to do with my 13-year-old daughter who, for better or for worse, has picked up her old man’s love for vinyl (having a dad that reviews turntables and speakers for a living has helped, too).

    Having seen the RSD release list and all the social media promotion, this year she started asking what the whole thing’s about and told me that she wanted to go. Instead of rehashing the angst over my lost Pearl Jam record (I actually ended up finding it in the leftover RSD bin of a mall Sunrise Records, so…), I found myself actually excited to check it out. My daughter’s enthusiasm reminds me of my own, and bonding over records with her has become one of the joys of my life. For her I’d brave a cold, rainy RSD lineup any day.