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  • Sony’s 2025 TV lineup explained

    The cat is out of the bag: Sony’s hottest new TV is a QD-OLED using the latest QD-OLED panel. However, the naming convention might seem a little confusing to anyone who follows TVs. Toss in the new Bravia 5 mini-LED, and Sony’s plans to unleash an RGB mini-LED TV in 2026, and things might seem even more perplexing.

    It’s been about five weeks since I visited Tokyo with other journalists and creators to see the new TVs on the horizon, as well as learn about how making movies for the theater translates to watching them at home, and how making content meant to be viewed at home looks and sounds more cinematic than ever.

    Let’s take a look at Sony’s latest TV moves and its lineup for 2025.

    Bravia 3

    2024 Sony Bravia 3 4K LED TV.
    Sony

    Working our way up Sony’s lineup, the Bravia 3 (a carryover from 2024) is its most basic TV. It has a 60Hz panel and is direct-lit LED, which means no local dimming, and it gets fairly bright — about 500 nits or so in test patterns. What really sets it apart, and also makes it a bit more expensive than the competition, is its processing. However, the Bravia 3 doesn’t have great contrast because of its always-on backlight, which makes its LCD panel look a bit grey where it should be black.

    If you’re a Sony fan who wants an inexpensive TV, go with the Bravia 3.

    Bravia 5

    Sony Bravia 5
    Digital Trends

    The Bravia 5 (its street name), which is new for 2025, looks like a pretty big step up — at least on paper. It’s now Sony’s least-expensive TV with mini-LED backlighting, full array local dimming, and improvements in contrast and color. Sony hasn’t sent specs yet, but I think it has a 120Hz panel and it does support variable refresh rate, Dolby Vision, game mode, and all that good stuff. The model number will be something like 65XR50, or 55XR50 — the first number being the TV’s size in inches.

    When it comes to brightness, it’s likely somewhere in the 1,300 to 1,500 nit peak brightness territory (I haven’t been able to measure it). It’s brighter than expected for its tier, and that brightness will likely make a lot of folks happy for the price of a Sony (I think Sony is hopeful that this TV will help get their brand into more homes).

    The Bravia 5 suits those who want better contrast and more HDR punch than the Bravia 3 can deliver or those who do a fair amount of console gaming.

    Bravia 7

    Sony Bravia 7
    Digital Trends

    The Bravia 7, which is also a carryover model from 2024, will already be familiar to TV enthusiasts. Frankly, if the Bravia 9 didn’t exist, the Bravia 7 could easily be a mini-LED flagship TV.

    It does about 2,000 nits — putting it on the same level as the new Samsung QN90F — achieves about the same color gamut, is very accurate out-of-the-box in Professional mode, and is otherwise just a super clean TV. My only complaints: The contrast and color saturation drops off a bit in off-angle viewing and its anti-glare isn’t powerful enough.

    All told, however, the Bravia 7 is a stellar TV.

    Bravia 8 … and Bravia 8 Mark II

    Sony Bravia 8 II
    Digital Trends

    Above the Bravia 7 is the Bravia 8, a WRGB OLED TV that has competed against the likes of LG’s C-Series OLEDs — and that’s still the case for the time being. You’ll be able to buy the Bravia 8 at a great price in 55-, 65-, and 77-inch sizes.

    However, there’s also the Bravia 8 Mark II. And this is where people might get a little confused.

    Sony’s flagship premium OLED was once the A95L, which doesn’t fit into the new Bravia numeral naming convention. Many of us may think Sony’s stunning new QD-OLED TV is the flagship of its TV lineup. However Sony, like Samsung, does not see its best OLED TV as its flagship — for Sony, the Bravia 9 is its top-tier model.

    For that reason alone, the new QD-OLED TV couldn’t be the Bravia 10 — that would suggest it was above the flagship Bravia 9. Therefore, Sony made it the Bravia 8 Mark II, delineating QD-OLED.

    It’s not a tidy, sleek, or smooth way to go, but it works. This TV will get so much buzz that Sony could have called it whatever they wanted and the name would stick. However, there’s another reason it could never be the Bravia 10.

    Bravia 9

    Bravia 9
    Digital Trends

    Before we get to that, there’s the Bravia 9. Again, it’s from 2024, and I would argue the model carryover thing makes a lot of sense, even if enthusiasts find it less exciting than a new model number with marginally and frankly not-meaningful new performance specs.

    First, like the A95L, the Bravia 9 had a late-in-the-year launch in some markets, so it’s still pretty new. Also, it’s such an awesome TV, there’s no reason to replace it. The Bravia 9 has earned the reputation of being the best mini-LED TV you can buy, and Sony is confident it will stay that way. Why replace something that’s already winning?

    For me, carrying over the Bravia 9 makes sense, especially with what could be the Bravia 10 coming in 2026.

    Bravia 10 … perhaps Bravia 11?

    Panel Structure Difference_RGB_Still
    Panel Structure: RGB Sony

    If Sony sticks to this product refresh cycle, we should see a new Bravia 3, new Bravia 7, and maybe a new Bravia 9, and hopefully an all-new Bravia 10 addition in 2026 — that’s where our RGB mini-LED comes in. It would be the flagship to end all flagships.

    But what if this new RGB mini-LED TV actually came out as the Bravia 11? Looking at the current lineup, the Bravia 3, 5, 7, and 9 are all LCD TVs. The even numbers — just two of them now — are OLEDs. We know that other brands have 11s as their flagship … so, maybe skip 10 and go straight to 11? It doesn’t really matter, but it’s fun to think about and predict.

    To wrap it up in a pretty present, we have Bravia 3 (entry level LED TV), the Bravia 5 (least expensive Sony mini-LED), the Bravia 7 (outstanding mini-LED), the Bravia 8 (a holdover WRGB OLED and the only way to get a 77-inch OLED from Sony), the hot new Bravia 8 Mark II (likely to become one of my favorite TVs ever), and the Bravia 9 (best mini-LED TV we’ve tested). And there’s the promise of an RGB mini-LED — possibly called the Bravia 10 or Bravia 11 — coming next year. That is a strong lineup.

    The common denominator is Sony’s processing, which attempts to bring home exactly what creators want you to see — every little decision Sony XR processors make is centered around that goal. This makes sense because of all the TV brands, only Sony is operating on the opposite side of the content creation pipeline, making the cinema cameras and the micro-LED background walls, and the mastering monitors used on-location and in the editing and color-grading bays.

    The “Sony Tax” explained

    Something else that Sony showed me finally explains why it charges a bit of a “Sony tax.”

    Not every Sony TV has a perfectly clean panel; variances exist because that’s just how manufacturing is. Sony’s TVs, unit for unit, tend to be cleaner and more uniform than the competition — I’ve been saying it for years. Now, thanks to an impressive demonstration in Tokyo, we know why.

    On the production line, Sony TVs are rolled through a screen uniformity station. Here, a camera shoots the TV while it’s displaying a grey test pattern. The test pattern is designed to show where there may be uniformity issues such as dark and light grey splotches or lines, contributing to “dirty screen effect” where it looks like the screen is dirty, but it’s actually color and brightness variances coming from the LCD panel.

    Sony Bravia 5
    Digital Trends

    When the camera detects those uniformity issues, they are calibrated out — and it is amazing. Imagine a panel with a dark grey spot in the middle left section of the screen. The calibration lightens up that section to make it appear the same as the rest of the screen.

    Sony demonstrated this by putting tinted film on the screen, which made some parts of the screen appear green and some red. After the calibration, the screen looked uniformly grey. To prove that the result was real (and not faked), we were allowed to lift the film to see that the color of the screen under those tint films had been changed so that the resulting color after going through the film was grey. What we saw under the film was like an orange or a green box, but through the film it was as if the film wasn’t there.

    This calibration process raises the bar for screen uniformity on Sony TVs, not just with the premium models, but with all of the Bravias — even the Bravia 3.

    It wasn’t just a cool demo, it was a reminder about the little things Sony has been doing for years to improve their TVs, ensuring they maintain that legendary look and quality. It takes more time and costs more money, which is why we’ll pay more for a Sony. Looking at Sony’s TV lineup now, and knowing where it is going in the future, I think it’s totally worth it.

  • Is this TV the real “OLED Killer”?

    I don’t like the term “OLED Killer.” It’s been beaten to death, and is now pretty much clickbait. Only once, recently, I applied the term to a TV, mentioning it only to stoke discussion.

    But I think I have found a real potential OLED killer. Sony showed it to me.

    During a recent visit to Sony’s headquarters in Tokyo, I was shown a display prototype, and I haven’t seen anything like it before. Turns out, Sony has been working on RGB mini-LED for three years now. Having seen it, I can tell you: If there was ever going to be an OLED killer — at least in the premium TV space — this is it. It’s a game-changer.

    What is mini-LED?

    If you’re unclear on how RGB mini-LED technology works or don’t yet know why these TVs are so great, or if you’re screaming, “But Caleb, didn’t Hisense already announce this?”… let’s catch up and dig into why this is important.

    Mini-LED TVs improved on regular LED TVs by shrinking down the size of the LED backlight. LED and mini-LED TVs have always used LCD panels, but the big improvements we’ve seen to LCD TVs have been to the backlight technology — like processing and dimming zones and brightness power — so we started calling them “LED TVs.” Now that mini-LED is out, we call them “mini-LED TVs.”

    Size comparison, mini-LED vs. regular LED.
    TCL

    By making the LED backlights tiny, TV manufacturers have been able to cram more of them in a smaller amount of space and break down the grid of backlights into more numerous and smaller zones. In most cases, the benefits have been higher brightness, better black levels, better contrast — what we love to see when looking at a TV — and better efficiency. All of this became available with fewer of the annoying distractions of regular LED TVs, such as blooming, halo, and obvious backlight transitions — which can keep us from being fully immersed when watching a movie.

    TCL mini-LED Prop
    Digital Trends

    A cool aspect about mini-LED: It didn’t cost much to begin making. Only the backlight and processing (the brains behind the operation) had changed, so the TVs could be made using existing production. That allowed mini-LEDs to come down in price quickly, and democratized premium picture quality.

    There are many reasons to love mini-LED, however like regular LED, it has a persistent weakness: the color of the mini-LED light.

    The white light conundrum

    LCD TVs have always worked by shining white light through a color filter. The purer the white light, the easier the color filter can do its job to deliver a beautiful picture. However, it’s too difficult to get pure white light from an LED, so TV makers had to settle on using blue LEDs or mini-LEDs to shine on red and green quantum dots — a combination that provides that nice, pure white light. These TVs are called “QLED TVs” — the Q stands for “quantum dots” — and they work great.

    Pure Color Mini LED
    Pure Color Mini LED Sony

    However, there’s a problem with a white backlight: It’s visible when it leaks through an LCD panel. It results in milky or grey blacks, and causes halos around bright objects on dark backgrounds. It makes getting shadow details in otherwise pitch-black scenes hard to pull off. And, because the color filter has to work so hard, it’s also hard to get expanded color gamut and color brightness. Our eyes love colors and they definitely enjoy sparkling brightness.

    Pure Color RGB LED
    Pure Color RGB LED Sony

    RGB mini-LED addresses these problems by eliminating the reliance on blue LEDs and the white light they create in partnership with quantum dots. When the backlight produces independent red, green, and blue colors, there are some key benefits. Backlight bleeding, blooming, and halo is reduced and harder to see. When watching the TV, you’re more drawn to the picture than the backlight that’s helping to create it. There’s also a lighter load on the LCD panel’s color filter; the less work it has to do, the more brightness can come through.

    The RGB future is here

    This is where Sony’s RGB mini-LED technology comes in. With today’s announcement, we now know that mass production of these RGB mini-LED displays will start this year. We’re probably looking at RGB mini-LED TVs from Sony in 2026. When that happens, I think the OLED TV story starts to shift.

    Many enthusiasts have been wondering what a Bravia 10 might look like. I might be wrong, but I think it could be an RGB mini-LED TV — and I couldn’t be more excited.

    Why am I waving around the “OLED-killer” term now? Why am I now talking so much about Sony’s RGB mini-LED without also talking about the RGB mini-LED that Hisense has already announced and will probably come to market with this year?

    Let’s talk about the “OLED Killer” thing first. The only TV technology that could beat back OLED was one that got black levels, white brightness and color brightness, and color purity/color gamut up to OLED levels — or at least, perceptually up to OLED levels. It would also need to have awesome off-angle viewing, an area consistently dominated by OLED.

    Pure Color Wavelength Spectrum Graph
    Pure Color Wavelength Spectrum Graph Sony

    However, it isn’t just about picture quality. The real OLED killer will do all of that in a wide range of sizes — including up to 98 or 100 inches — and do it for less than OLED.

    Sony’s RGB mini-LED tech can do all of that in my opinion. I think it will be able to punch up beyond the 77-inch screen size without spinning into super-expensive pricing territory. Providing picture quality that rivals OLED in all ways that matter, while also costing less — that’s the magic formula.

    Hisense TriChroma LED TV
    Hisense TriChroma LED TV Digital Trends

    Let’s bring Hisense into the conversation. It’s going to be first, and will lay claim to having the first RGB mini-LED TV on the market. When its 116-inch monster TV starts hitting showrooms, home theaters, and maybe even some living rooms, it will likely be showered with praise. (I’ve seen a prototype of that TV in action, albeit briefly, and it is super impressive.)

    Sony’s magic recipe?

    What we haven’t talked about enough, however, is how hard it is to make RGB mini-LED backlighting work well.

    Panel Structure Difference Mini LED Still
    Panel Structure: Mini LED Sony

    Picture a screen showing a big yellow flower with bright green leaves. Both the yellow flower and green leaves are serviced by the same backlight zone. This requires some serious decisions that require quick execution. You have red, green, and blue primary colors to work with as a light source, and a color filter. Do you make the backlight yellow and use color filtering to get the green for the leaves? Do you make a green backlight and use color filtering to get the yellow for the flower? Which method is more efficient, and how is that decision made in real-time?

    When I asked Sony’s engineers these questions, they didn’t provide the magic recipe, but did say that’s why they have been working on it for years and why it won’t be coming out until 2026. Sony isn’t interested in being first — they just want to be the best. (Sound familiar? Ahem Apple.)

    Panel Structure Difference_RGB_Still
    Panel Structure: RGB Sony

    It turns out, the processing required is quite tricky and difficult to pull off. We’re talking about coordinating additive color-mixing with one hand and subtractive color-making with the other. It’s taking a really hard job and making it a whole lot harder. But if anyone has the processing chops to do it, it’s Sony.

    I was able to see Sony’s prototype do that exact thing: a yellow flower and green leaves, handled by a backlight showing just one color. Sony’s processing works, and very well. I was blown away by that RGB mini-LED TV. You don’t have to take my word for it. Many other respected journalists and content creators saw it, too, and will likely be providing similarly rave reviews.

    The race is on

    Clearly, Hisense also has the processing needed to pull off RGB mini-LED — I just don’t know how well it works compared to the Sony TV. (I hope to learn more when I visit Hisense soon.) Beyond how well their processing will work, I also don’t know their timetable for scaling RGB mini-LED tech down to normal-sized TVs. We can likely expect some smaller sizes (perhaps a 65-inch?) in 2026, because that’s how Hisense operates.

    W-OLED_Color_Volune_with_Text
    Mini_LED_Color_Volune_with_Text
    QD-OLED_Color_Volune_with_Text
    RGB_Color_Volune_with_Text

    What we do know: Hisense will be competing directly with Sony. The race is on. We already have something exciting to look forward to in 2026, with a giant-sized appetizer coming in 2025, courtesy of Hisense. Now it’s just a matter of seeing how things shake out. I’d be surprised if at least one other brand didn’t toss its name in the RGB mini-LED ring as well.

    Regardless, OLED now has a real challenger in the premium TV space. It will likely continue to win awards for years to come, but OLED won’t be the slam-dunk winner for best TV tech it once was.

    That’s a good thing. Technological progress is what we need to stoke competition because when brands compete, consumers win. That’s what has me so excited about RGB mini-LED.