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  • 4 reasons to watch The Studio on Apple TV+

    The Studio has quickly become one of the most talked-about shows running on Apple TV+. Created by Seth Rogen and Evan Goldberg, this comedy series depicts the former as a newly-promoted studio executive who struggles with his job of making profitable movies while trying to make respectable and artistic films.

    At a time when cinema has reached a troubling crossroads, The Studio has come and given much-needed laughs for audiences, especially those who love film and fear for the industry. In its first season, The Studio has achieved a near-perfect 95% Rotten Tomatoes score from critics, and it’s easy to see why. With its wacky cast of characters, insightful writing, and high production values, this series shows just how amazing and ridiculous Hollywood can be.

    The characters are outstanding

    Fans of The Office will really enjoy this show’s characters and its brand of humor. Seth Rogen successfully plays Matt Remick like Michael Scott goes to Hollywood. Though he’s the head of Continental Studios, he tries to drink everyone’s Kool-Aid and says yes to everyone, despite his better judgment. Thus, he fumbles every task he has in a neurotic and desperate attempt to make people like him, leading to several hysterical and cringe-inducing moments that derail whatever production he’s working on that week.

    However, The Studio isn’t carried by Rogen alone. The series brings plenty of laughs from Matt’s inner circle. These supporting characters are played by comedy greats like Catherine O’Hara (Schitt’s Creek), Ike Barinholtz (History of the World, Part II), and Kathryn Hahn (Agatha All Along), who all bounce off each other and Rogen at hilarious, high speed. Much like Curb Your Enthusiasm, The Studio includes several Hollywood icons like Martin Scorcese, Ron Howard, Anthony Mackie, and Sarah Polley, who hold up exceedingly well as they play fictionalized versions of themselves.

    It hits modern Hollywood hard

    Many people are worried about the state of cinema in the modern age, as the industry seems more focused on making money instead of artistic, high-quality films. The Studio harnesses this anxiety to tackle the several different challenges that go with making a movie in Hollywood these days. Audiences have already pointed out similarities between the series and real-life Hollywood news in its first episode, which centers around the production of a film about Kool-Aid. It just shows how life imitates art.

    The easy targets in the show are the bumbling, out-of-touch executives (particularly Bryan Cranston’s Griffin Mill) who try to micromanage everything in a movie production or simply try to make as much money as possible. However, The Studio also takes aim at the self-indulgent artists who go overboard with their craft with extraneous scenes, most notably with its third episode. Though the studio executives and the artists butt heads with each other, this series shows how cinema is meant to be a collaborative effort between both sides who balance each other out. All in all, the series presents a well-rounded satire of Hollywood and the dysfunction that goes on behind the scenes, showing how difficult it is to work in an industry of art and profit.

    It’s a work of cinema itself

    While The Studio repeatedly pokes fun at the cinema industry and all its ridiculous quirks and characters, it goes above and beyond to be a piece of cinema that movie lovers can enjoy. The fact that The Studio has a single-shot episode about making a single-shot scene is a meta, technical achievement that shows reverence for cinema while satirizing it.

    This series is a glamorous, star-studded fever dream that hardly slows down. Each episode features glorious visuals and cinematography, with incredibly long takes and swift dialogue that leave viewers’ hearts racing as they try to contain their laughter. This makes the audience feel like they’re actually with the characters in the show as they struggle to navigate the fast-paced world of Hollywood with hysterically disastrous results.

    The writing is comedy gold

    Like Seinfeld or Curb Your Enthusiasm, anything and everything is a bomb full of laughs waiting to go off at any given moment. The tinniest detail in the show can lead to a whole bunch of mistakes and misunderstandings for Matt and his team. While this is bad news for them, it makes for comedy magic for the audience. It’s no surprise that The Studio has such meticulous and hilarious writing. Seth Rogen and Evan Goldberg have spent decades perfecting their craft with projects like Superbad, This Is the End, The Interview, and Sausage Party, building up to this ode/mockery of Hollywood that could end up being their magnum opus.

  • The Studio episode 1 review: A hysterical satire of modern Hollywood

    The Studio episode 1 review: A hysterical satire of modern Hollywood

    4.5/5

    ★★★★☆

    Score Details

    “The Studio is a hysterical and cinematic satire of modern Hollywood that demands to be seen.”

    ✅ Pros

    • Hilarious characters and performances
    • Heart-pounding, cinematic direction
    • An insightful commentary on modern Hollywood

    ❌ Cons

    • A little too cringey for some

    Apple TV+ seems to have launched another hit with its new series, The Studio. Created by comedy icons Seth Rogen and Evan Goldberg (Superbad), this show depicts Rogen as film executive Matt Remick, who is hired as the new head of the fictional Continential Studios after his mentor is fired from the position.

    The series starts off strong as Matt struggles with his first task of making an ill-conceived blockbuster while wanting to make more artistic movies. Featuring several comedy veterans, high production values, and a satirical takedown of the film industry, episode 1 of The Studio succeeds in introducing a show that casual audiences and lovers of film will love.

    The satirical writing

    Seth Rogen and Bryan Cranston in "The Studio."
    Apple TV+ / Apple TV+

    The Studio hilariously pokes fun at modern Hollywood as it captures the flaws and ridiculous habits of the industry. Specifically, the pilot shows how boneheaded executives try to make as much money as possible by capitalizing on the hype created by other films with silly IP-based pictures. Unfortunately, it’s not that hard to believe that Bryan Cranston’s (Breaking Bad) Griffin Mill would think a Kool-Aid film would work based on Barbie’s success.

    While Continental Studios is described as a “temple of cinema” in the show, Matt instead likens it to a “tomb,” hammering home the show’s message about the declining state of the film industry. The Studio is presented as a comedy, but it balances humor and drama as Matt struggles to navigate a chaotic industry and fears that he will ruin cinema for the sake of his job.

    Though Matt wants to make profitable prestige films, he can’t help but try to please everyone as he greenlights Nick Stoller’s low-brow Kool-Aid film and Martin Scorcese’s more artistic Jonestown film. Unfortunately, Matt finds himself becoming the thing he hates most when he reluctantly cancels Scorcese’s film after impulsively purchasing the script. It’s a cringe-inducing storyline straight out of The Office, especially when Matt makes Scorcese cry in front of Charlize Theron.

    However, The Studio‘s first episode effectively showcases the dark side of Hollywood and the sacrifices one must make as a leader (though Matt obviously made the wrong call several times in this one episode). Clearly, Matt is still learning how to lead the studio his way without selling out his beliefs, but this pilot lays a strong foundation for Matt’s character as he begins his journey to master his new role as the head of Continental Studios.

    The cinematic direction

    Matt and Quinn riding in a cart in "The Studio."
    Apple TV+ / Apple TV+

    Since the show is supposed to be about the cinema industry, this episode naturally feels like a slice of cinema as well. Featuring another successful collaboration of writers/directors Seth Rogen and Evan Goldberg, The Studio’s heart-pounding pilot feels like an actual documentary about the trials and tribulations of a real Hollywood studio.

    The witty, rapid-fire dialogue and numerous long tracking shots immerse the audience in Matt Remick’s chaotic world. This style effectively conveys both the intense pressure Matt regularly feels and the fast-paced nature of the cinema industry, similar to Jason Reitman’s 2024 biopic, Saturday Night. It even succeeds in replicating big-budget action movies with its opening film-within-a-film starring actor Paul Dano, giving something for many kinds of cinephiles to enjoy.

    The performances

    Catherine O'Hara screaming in "The Studio."
    Apple TV+ / Apple TV+

    While portraying Matt Reick, Rogen plays his typical role as the awkward and foul-mouthed everyman in The Studio. However, this presentation fits with his character as the bumbling movie executive struggling to succeed. While Matt makes several bad choices throughout the episode, he is a likable, well-meaning protagonist who just wants to make good movies.

    The rest of The Studio‘s cast delivers hilarious and electric comedic performances. Once again, Ike Barinholtz has explosive chemistry with Rogen as his friend/co-worker, Sal Seperstein. Chase Sui Wonders also plays off Rogen quite well while playing Matt’s assistant, Quinn. However, Kathryn Hahn and Catherine O’Hara steal the show, as usual, when they appear on-screen with their traditionally over-the-top, loud-mouthed, and quick-witted characters. Even guest star Martin Scorsese shines playing himself with his comedic timing and energetic personality.

    Is The Studio worth the wait?

    As the Kool-Aid man would say, “Oh yeah.” Rogen and Goldberg’s new comedy series makes a strong first impression with its incredible cast, hilarious writing, and harsh commentary of modern Hollywood. There’s clearly room for growth in The Studio, as Matt is still adapting to his stressful new role at Continental Studios. However, this well-crafted show promises to deliver many more hysterical and cinematic episodes that tackle different aspects of Hollywood, making The Studio a desperately needed satire for present-day viewers.

    The Studio is now available to stream on Apple TV+.

  • How to watch the Sweet 16 and the Elite 8 of March Madness 2025 for free—and without cable

    The Rounds of 64 and 32 saw some shocking finishes, but as March Madness enters the Sweet 16, things are about to get much more tense for people looking to win their office pool.

    See, normally, this is where we’d talk about whether your bracket was still perfect, but with Kentucky’s victory over Illinois in the Round of 32, the NCAA reported there were zero perfect brackets remaining. (Of course, the NCAA doesn’t keep track of office pools, etc. so maybe you’re still going strong. If so, congratulations!)

    The third and fourth rounds of the NCAA Tournament get underway Thursday and this is the chance for underdogs to shine even brighter. No. 10 Arkansas’ victory over No. 2 St John’s and BYU’s victory over Wisconsin could end up looking downright sedate as Cinderella stories continue to be written.

    Here’s when and where the Sweet 16 games will be airing and ways to watch for free, without a cable subscription.

    When and where do Sweet 16 games of March Madness 2025 air?

    The 2025 NCAA Tournament will take place in several segments. Here’s when and where you can catch the games this year.

    Sweet 16

    March 27

    BYU vs. Alabama, 7:09 p.m. on CBS

    Maryland vs. Florida, 7:39 p.m. on TBS

    Arizona vs. Duke, 9:39 p.m. on CBS

    Arkansas vs. Texas Tech, 10:09 p.m. on TBS

    March 28

    Ole Miss vs. Michigan State, 7:09 p.m. on CBS

    Kentucky vs. Tennessee, 7:39 p.m. on TBS

    Michigan vs. Auburn, 9:39 p.m. on CBS

    Purdue vs. Houston, 10:09 p.m. on TBS

    Elite 8

    March 29-30 –Sweet 16 winners won’t get a lot of downtime. Regional championships will be played on Saturday, March 29 on TBS, with CBS carrying the Sunday games.

    Final Four

    April 5 – The penultimate games will air on CBS.

    NCAA championship game

    April 7 – The champion will be decided on Monday at 9:20 p.m. ET on CBS.

    How can I watch March Madness games for free?

    You’ll catch more of these games than you did of the first two rounds. CBS is the host for several Sweet 16 and Elite 8 games, along with this year’s Final Four and NCAA championship matches. The best way to watch any sort of network programming for free on a big screen is with a good HD antenna. To ensure you’re getting the most reliable signal for the CBS-carried games, you’ll want to test the antenna in multiple locations in your home.

    Can I watch March Madness online?

    You bet!  If you have a cable subscription, but aren’t near a TV, you can log into TBS.com, TNTdrama.com and truTV.com (or the TBS, TNT or truTV apps) for games carried on those channels. (You’ll need to log-in with your cable or satellite provider username and password.)  And both CBS and Warner Bros. Discovery will be streaming games on their respective streaming services.

    Paramount+

    CBS’s streaming service will give you a one-week free trial, followed by a $8 or $13 monthly charge.

    Max

    The one-time HBO Max doesn’t have a free trial, unfortunately. Subscriptions start at $9.99 per month.

    Disney+

    Disney’s bundle of Disney+, Hulu and ESPN+ no longer has a free trial, so you’ll have to pay $17 per month for all three combined (or $30 per month for no ads on Hulu).

    Including Live TV in the bundle bumps the price to $77 per month ($90 with no ads).

    Hulu with Live TV

    The free trial on this service lasts three days. Afterward, it will cost you $77 per month.

    YouTubeTV

    After a free trial, you can expect monthly charges of $73.

    Sling TV

    Dish Network’s Sling lower-tiered “Orange” plan will run you $40 per month. Adding the more comprehensive “Blue” plan bumps the cost to $55 per month. The seven-day free trial has disappeared, unfortunately.

    DirecTV Stream

    Formerly known as DirecTV Now, AT&T TVNow and AT&T TV, this oft-renamed streaming service will run you $80 per month and up after the free trial option.

    Fubo TV

    This sports-focused cord-cutting service carries broadcast networks in most markets. There’s a seven-day free trial, followed by monthly charges of $80 and up, depending on the channels you choose.

    Does the NCAA offer any service for me to watch the game I want?

    Yep. March Madness Live will stream every game on the NCAA Website, as well as Apple, Android, Amazon and Roku devices. You’ll need to log in with your username and password from your TV provider.

    Can I watch March Madness games on Amazon?

    No. NCAA Tournament games do not stream on Amazon.

    This story was originally featured on Fortune.com

  • Praise Kier for Severance season 2! Let’s discuss.

    Severance has just wrapped up its second season. I sat down with fellow Ars staffers Aaron Zimmerman and Lee Hutchinson to talk through what we had just seen, covering everything from those goats to the show’s pacing. Warning: Huge spoilers for seasons 1 and 2 follow!

    Nate: Severance season 1 was a smaller-scale, almost claustrophobic show about a crazy office, its “waffle parties,” and the personal life of Mark Scout, mourning his dead wife and “severing” his consciousness to avoid that pain. It followed a compact group of characters, centered around the four “refiners” who worked on Lumon’s severed floor. But season 2 blew up that cozy/creepy world and started following more characters—including far more “outies”—to far more places. Did the show manage to maintain its unique vibe while making significant changes to pacing, character count, and location?

    Lee: I think so, but as you say, things were different this time around. One element that I’m glad carried through was the show’s consistent use of a very specific visual language. (I am an absolute sucker for visual storytelling. My favorite Kubrick film is Barry Lyndon. I’ll forgive a lot of plot holes if they’re beautifully shot.) Season 2, especially in the back half, treats us to an absolute smorgasbord of incredible visuals—bifurcated shots symbolizing severance and duality, stark whites and long hallways, and my personal favorite: Chris Walken in a black turtleneck seated in front of a fireplace, like Satan holding court in Hell. The storytelling might be a bit less focused, but it looks great.

    Read full article

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  • Severance season 2 finale, explained

    Apple TV+’s Severance has delivered another gripping finale with season 2, episode 10. After Mark’s innie reunites with Devon and Ms. Cobel, the trio enacts their plan to rescue Gemma from her prison at Lumon Industries. At the same time, Mark’s innie struggles with his desire to be with Helly as their plan risks the lives of every innie working at Lumon.

    Directed by Ben Stiller and written by Dan Erickson, this episode features several shocking revelations about Lumon’s “mysterious and important” work, presenting several twists that have left the series on a high note and viewers’ jaws down on the floor. As everyone’s minds are still reeling from this finale, here’s a breakdown of the ending of Severance season 2 and its meaning.

    Innies and outies finally meet

    Mark pointing a camcorder at himself in "Severance" season 2.
    Apple TV+ / Apple TV+

    At the birthing cabin, Mark records video messages for himself as he switches between his innie and his outie, giving them their first conversation. During their chat, innie Mark expresses his concern that if he helps shut down Lumon, all the other innies, including himself, will no longer exist. Though outie Mark tells his innie about reintegration, he is worried that it is a lie and if it will truly preserve his existence. On top of that, he has fallen in love with Helly and does not want to risk losing her, knowing her outie is an Eagan who likely won’t reintegrate.

    However, Harmony Cobel tells Mark’s innie that his work with MDR was really altering Gemma’s brain, having created a new personality for her with each file. Each room she enters on the testing floor awakens one of the 23 other personalities programmed into her, with Cold Harbor being the final one. It is also revealed that Lumon intends to “entomb” Gemma with a baby goat as part of a ritual sacrifice to Lumon’s founder and messiah, Kier Eagan. Though innie Mark fears he is being used, he finds himself back on the severed floor the moment he leaves the cabin.

    What is Cold Harbor?

    A painting of the cast of "Severance" at Woe's Hollow.
    Apple TV+ / Apple TV+

    Though innie Mark completes his Cold Harbor file with Helly present, she distracts Milchick during a marching band celebration while he goes to the testing floor to rescue Gemma. There, Mark’s outie finds Gemma dismantling a baby’s crib in the Cold Harbor room. Since Gemma was struggling to have a child years before with Mark, Dr. Bauer was testing her to see if she would complete the task without emotion or memory of her traumatic past.

    All in all, Cold Harbor was an experiment to see if Lumon could completely sever a person’s mind with zero links between them. It’s still unknown what Lumon’s larger goal is, but since they were altering Gemma’s mind, it is likely they were trying to perfect the severance chip as a mind control device.

    Since Jame Eagan said that everyone would soon be “Kier’s children” in season 1, it seemed that Lumon intended to brainwash the entire human race into emotionless, obedient workers However, Mr. Drummond claimed that Kier was engaged in an “eternal war against pain,” implying that Lumon justified brainwashing humanity by severing their minds from their pain like they did to Gemma with Cold Harbor.

    How does season 2 end?

    Mark with Helly looking at him from across a hallway in "Severance" season 2.
    Apple TV+ / Apple TV+

    After Mark and Gemma’s outie have a loving reunion on the testing floor, Mark’s innie helps Gemma escape Lumon when they return to the severed floor, shifting her into her Ms. Casey personality. They make it to the stairwell, with Gemma’s outie awakening on the other side of the door. However, Mark’s innie decides not to leave, choosing to stay inside Lumon with Helly.

    In an ironic twist of fate, Mark switches places with Gemma as the spouse stuck inside Lumon. Only this time, his innie has chosen of his own free will to stay with the woman he loves inside. If Lumon was Hell on Earth, then Mark was Orpheus trying to bring his wife Eurydice back from the dead, only to lose her again when he turned around and looked at Helly. The episode thus ends with an unforgettable freeze frame of Mark and Helly holding hands, running through the infernal red halls of the severed floor, remaining in Lumon’s Hell together.

    What happens next?

    Mark and Helly running down a hallway in Lumon in "Severance" season 2.
    Apple TV+ / Apple TV+

    This ending marks a huge change for innie Mark and Severance as a whole. The latter has basically taken his outie’s life away and kept Gemma from her husband again by staying in Lumon. However, Mark made it clear that he doesn’t want any of his fellow innies to die either. Since Dylan has chosen to stay at work and Helly has galvanized the other innies into a rebellion, it is implied that they will all take over the severed floor with Milchick as their prisoner.

    It’s unknown how long this innie uprising will last. Lumon could shut down everyone’s severance chip remotely, but it is unclear if they can do that from outside of the severed floor, which seems to have been taken over by the innies. Also, Gemma may work with Devon and Ms. Cobel to expose Lumon and reunite with Mark’s outie.

    While season 1 showed the innies connecting with their outies, season 2 ended with them severing from each other completely as the innies have chosen to fight for their lives and the people they love inside Lumon. This should make the newly greenlit third season of Severance an especially thrilling follow-up.

  • Astrophysicist rates the science of 9 outer space movies and TV shows

    Paul M. Sutter shares the science behind movies and TV shows set in space.

    He talks about string theory in “3 Body Problem.” He discusses the portrayal of black holes in “Interstellar,” starring Matthew McConaughey, Anne Hathaway, and Matt Damon. He deconstructs wormholes in “Contact,” starring Jodie Foster; and “Event Horizon,” starring Sam Neill and Laurence Fishburne. He breaks down how humans could feasibly get to Mars in “The Martian,” starring Matt Damon, Jessica Chastain, and Donald Glover. He explains how gravity assists work in “Armageddon,” starring Ben Affleck, Bruce Willis, and Billy Bob Thornton. He describes how stars die in “Avengers: Infinity War,” starring Robert Downey Jr., Scarlett Johansson, and Chris Hemsworth; and “Sunshine,” starring Cillian Murphy, Michelle Yeoh, and Rose Byrne. Finally, he examines cosmic voids in “Star Trek: Voyager.”

    Paul M. Sutter is a cosmologist and astrophysicist. He has written three books and serves as a NASA advisor. He also hosts the “Ask a Spaceman” podcast. You can check out his audio and video appearances on his website or YouTube channel.

    Read the original article on Business Insider
  • He coaches couples who cheat on ‘Temptation Island.’ He says it can be healing but would never suggest actually going on the show.

    <div>He coaches couples who cheat on 'Temptation Island.' He says it can be healing but would never suggest actually going on the show.</div>
    Mark L. Walberg is the host of Netflix’s “Temptation Island.”

    • On “Temptation Island,” couples separate and date other people to see if they’re tempted to stray.
    • Host Mark Walberg shows cast members clips of their partner’s exploits at the infamous bonfires.
    • Walberg doesn’t recommend going on the show but says people usually leave the island “in a better place.”

    When a clip from “Temptation Island Spain” showed a man running down a beach in agony after watching footage of his girlfriend cheating on him went viral in February, the internet turned “La Isla de las Tentaciones” host Sandra Barneda’s pleas of “Montoya, por favor!” into a rallying cry.

    While many could empathize with contestant José Carlos Montoya’s predicament, “Temptation Island” host Mark L. Walberg was one of the few who understood Barneda’s position.

    As the host of the American version of “Temptation Island,” it’s Walberg’s job to coach four couples through the highs and lows of a very unnatural, made-for-TV predicament: separating from your long-term partner to date a slew of sexy singles. It happens while knowing your other half will see out-of-context footage of your exploits — and you theirs — during the show’s infamous bonfires.

    So what would Walberg have done if one of his cast members began wailing and made a break for the beach during a bonfire?

    “I probably would’ve followed him out on the beach. I probably would’ve tried to catch him and console him and get him in a good place,” Walberg said.

    It’s been over two decades since “Temptation Island” premiered on Fox in 2001. Walberg has been a mainstay on the show, staying with it when it was rebooted on USA Network in 2019 and when it moved to Netflix in 2025.

    He’s become a veteran in coaxing emotions out of contestants in pursuit of dramatic and entertaining results. Yet he talks about wanting to console Montoya like he truly empathizes. With his big blue eyes piercing through the Zoom screen at me and his eyebrows slightly upturned in his signature look of friendly concern, it appears he really does.

    Unlike the talking heads who come in to mechanically deliver somber news to lovelorn contestants on other reality shows, Walberg considers his genuine care for the cast the key to his hosting approach.

    “When I first did this show a million years ago, you could have had somebody who was rubbing their hands going, ‘Let’s make it dirty,’ or you could have somebody judging. And that’s not my style as a person,” Walberg said. “I know it’s a TV show, but I think authenticity is also watchable.”

    Below, Walberg breaks down his empathetic approach to hosting and gets real about why anybody would agree to bring their relationship to “Temptation Island.”

    On why filming the bonfires keeps him up at night

    Ashley frowns while her boyfriend Grant cries at the final bonfire on "Temptation Island."
    Ashley and Grant at their final bonfire on “Temptation Island.”

    The bonfires are the centerpiece of “Temptation Island,” and the conversations you have with contestants after they watch clips of their partners often get emotional. How do you prepare for them, and what do you know about the clips beforehand?

    All these shows have a hot sheet, like a producer writes a hot sheet and I read it. And let me just be clear that I’ve got an earpiece, and if I get off track, producers are there and help me. But to answer your question, I am — I hate to say this — but the kids call it an empath.

    I’ve been on TV a long time…So I don’t really need to prep. I usually meditate a little bit; get quiet. I’m trying to slow my heart rate, focus my intention, get my intention off of me, and get it onto these kids.

    And then it’s really, meet them where they are, listen deeply to what they say, have compassion for what they’ve just seen, and then ask what seems to be the natural question. And then don’t be so married to a point of view that when you get an answer to the question that’s not specifically what you want, you don’t go where they’re going.

    I kind of feel a little gross that I’m like, “Oh, I’m this heady guru guy.” It’s just, look: I’m a dad, and I’m a husband, and I care. I really do care. And I don’t know how to turn that off. It’s pretty exhausting because after bonfire, I’m like, “Yeah, cool. Let’s get a beer or whatever.” And then I go back to the room and my wife’s asleep. I’m up until two in the morning going, “What did I say? Did I do damage today?”

    <div>He coaches couples who cheat on 'Temptation Island.' He says it can be healing but would never suggest actually going on the show.</div>
    Walberg at one of the show’s bonfires.

    A lot of times, these bonfires feel like group therapy, where each person eventually has a moment of clarity about their relationship. Is your hosting style on “Temptation Island” informed by therapy?

    I’ve been married a long time — 37 years — and we’ve been in a conversation of emotional intelligence our whole relationship. So, no, I don’t pretend to be a therapist, but I’ve been in therapy, so the conversation’s familiar to me.

    For me, what’s natural is when you say something, I’m listening to you, but I’m not listening to what you said as much as I’m listening to why you chose those words. Because what I’ve learned over the years is that most of the time people tell you a story that they believe almost to hide what they don’t want to believe.

    And that’s a delicate thing. You don’t want to jump in there and crunch people up. But that’s the window that I try to open a little bit because then you can see the lights go off.

    And it warms my heart when you see somebody go, “Wait a minute, oh my God, it all makes a little sense right now.” So I wouldn’t say there’s any training, but there is some compassion and just deep listening, a little bit of life experience, and then a little bit of guessing.

    What’s unique about this show is that the reboot gave you the chance to revisit a job you first had almost 20 years ago. How has your approach to hosting “Temptation Island” changed in that time?

    When I first did the show, we were flying by the seat of our pants. Nobody knew anything. Reality wasn’t even a thing. So when we would do the bonfires, the producers were way down the beach. There was no direction, and I was just kind of fishing.

    On what he wanted to say during Brion and Shanté’s final bonfire and why he thinks “Temptation Island” has endured

    A still from "Temptation Island" showing a man looking right to a woman wearing a blue dress and cross necklace
    Shanté agreed to continue her relationship with Brion on the “Temptation Island” finale.

    It must be hard as a host to handle someone like Brion, who, for most of this season, was not taking responsibility for his actions. How do you give that tough love? When Shanté ultimately takes Brion back at the final bonfire, if I were a host, I wouldn’t be able to hide the judgment on my face.

    What I wanted to say was, “That’s not what you want to do. Stay true to the decision you made. You guys may get back together at some point. Stand with yourself.”

    But I have respect for Shanté. She’s not an idiot. She came to whatever decision she came. Maybe it was a failure on my part, but it’s a very delicate line of where to intervene and where to stay away.

    I wanted to say, “I’m not comfortable with you guys leaving,” but I felt like, after so much time, it took forever. The show ends, but life doesn’t. I have every bit of belief that she could take care of herself.

    And you said no judgment. So even with Brion, when I was talking to him, the way I approach that is, I’m not judging your behavior. I’m holding his space for how unaware you are.

    Wow, that is so charitable.

    It might be spin, I don’t know. When you talk to him, he’s not remorseful for his behavior. And I had to ask him about that. I’m like, “It’s weird to me that you can act out or do whatever you do, and it’s compartmentalized. It just has nothing to do with your love.” And so that’s an unawareness.

    I was trying to say to him, it’s not that you love [Shanté] so much that you’ll have willpower [to be faithful]. That’s bullshit. You want to have a love so complete that that’s not on the table. The thought of what it would do to hurt somebody else, you would never do because you love them.

    But I think, for the most part, 90% of the people who go on the show don’t really understand what being in love is at all. So that’s a hard thing.

    Why do people go on this show? And regardless of why they go on, do you think the experience ultimately helps them grow?

    I’m very real about it. I think a little bit of it is clout — being on TV and all that comes with that. But the only way to get the clout and to get clarity is to get real and to stay real.

    And this show, I don’t advise anybody to come on, but it does get real. So yeah, it is not something I’d advise, but for those who come on, I do know that they usually leave the island in a better place, knowing more about themselves than they did.

    I joke about the show. I’m playing golf with these guys, and they’re like, “What do you do?” And I try to put that off. I say [I host] a dating reality show. “Oh, what’s it about?” And the best way I can say it is, “A dating/relationship show. It looks like porn and feels like ‘Oprah.’”

    I do it for a joke, but the point is it really appears to be this messy, crazy thing, but there’s a little bit of heart and reality behind it. That, I think, is why it’s still kicking.

    This interview has been edited and condensed for length and clarity.

    “Temptation Island” season 1 is now streaming on Netflix.

    Read the original article on Business Insider
  • How to watch the First Four of the 2025 NCAA Tournament for free—and without cable

    • The First Four games of the NCAA Tournament are being held Tuesday and Wednesday, March 18 and 19. They’re an appetizer, of sorts, for the first round of March Madness, one of the most anticipated basketball tournaments of the year.

    Selection Sunday is behind us. Now it’s time for March Madness to get underway. (Sorry, HR directors!)

    The NCAA Tournament is one of the highlights of spring and while the Round of 64 will get underway later this week, fans will get an appetizer starting tonight with the First Four games.

    This matchup sees the four lowest-seeded automatic qualifiers and the four lowest-seeded at-large teams face off in an attempt to make it to the official tournament. It’s where Cinderella stories are born and where longshot bets can pay off (though rarely do).

    Here’s a look at who’s playing in the First Four—and some options to watch them.

    What is the schedule for the NCAA Tournament’s First Four games?

    Here’s who’s playing in the First Four.

    Tuesday, March 19

    St. Francis vs. Alabama State, 6:40 p.m. ET on TruTV

    UNC vs. San Diego State, 9:10 p.m. ET on TruTV

    Wednesday, March 20

    Mt. St. Mary’s vs. American, 6:40 p.m. ET on TruTV

    Xavier vs. Texas, 9:10 p.m. ET on TruTV

    How can I watch the First Four games for free?

    Ok, here’s the bad news. None of the First Four games will be broadcast over the air, meaning you’ll need either a cable subscription or a streaming service to watch. Many streaming services have done away with free trials, but a few remain. See below for details.

    Can I watch the 2025 First Four games online?

    Yep! Here are a few other options.

    Max

    The one-time HBO Max doesn’t have a free trial, unfortunately. Subscriptions start at $9.99 per month.

    Disney+

    Disney’s bundle of Disney+, Hulu and ESPN+ no longer has a free trial, so you’ll have to pay $17 per month for all three combined (or $30 per month for no ads on Hulu).

    Including Live TV in the bundle bumps the price to $77 per month ($90 with no ads).

    Hulu with Live TV

    The free trial on this service lasts three days. Afterward, it will cost you $77 per month.

    YouTubeTV

    After a free trial, you can expect monthly charges of $73.

    Sling TV

    Dish Network’s Sling lower-tiered “Orange” plan will run you $40 per month. Adding the more comprehensive “Blue” plan bumps the cost to $55 per month. The seven-day free trial has disappeared, unfortunately.

    DirecTV Stream

    Formerly known as DirecTV Now, AT&T TVNow and AT&T TV, this oft-renamed streaming service will run you $80 per month and up after the free trial option.

    Fubo TV

    This sports-focused cord-cutting service carries broadcast networks in most markets. There’s a seven-day free trial, followed by monthly charges of $80 and up, depending on the channels you choose.

    Can I watch any March Madness games on Amazon Prime Video?

    No. March Madness do not stream on Amazon, unless you purchase a subscription to a streaming service.

    This story was originally featured on Fortune.com

  • I’m an anime superfan who works as a programmer at Pluto TV. It’s like being a kid in a candy shop.

    Nikki Frangella, with multicolored hair, stands in front of a backdrop that reads 'Paramount Advertising,' with a red vest and green glasses.
    Nikki Frangella is an anime superfan and longtime programmer at Pluto TV.

    • Nikki Frangella is a programming vet at Pluto TV, where channels are curated by humans.
    • Frangella, an anime superfan, programs the anime, drama, and home and food categories.
    • Here’s how Frangella brings her personal passions to the job.

    This as-told-to essay is based on a transcribed conversation with 31-year-old Nikki Frangella, based in Los Angeles, about her experiences as a programmer at Pluto TV. The following has been edited for length and clarity.

    I joined Pluto TV almost 10 and a half years ago, right after the company launched, as an intern studying TV and film writing at Emerson College.

    Pluto’s a free, ad-supported streamer with an experience more like cable TV. There’s on-demand options, but people love the ability to flip through channels, which can take the stress out of deciding what to watch. There were about six people on the programming team when they brought me on full-time.

    At first, programming was a completely new concept to me, but once I learned about the process, and began looking through content catalogs and assembling timelines, I went in 100%.

    Today, I lead a team of five other programmers — though there’s 43 human programmers at Pluto TV. The team grew gradually after Pluto was acquired by Viacom in 2019. Early on, FAST was still this new idea and Viacom taking an interest in us showed that it could be the next big thing.

    Both categories and channels are curated by humans. I oversee the anime, drama, and home and food categories. There are about 22 categories total and 350 different channels, so programmers have to wear multiple hats.

    We collaborate with our content partnerships team to look through catalogs of current and potential partners to think about what might move the needle for our viewers. There are thousands of hours. It’s kind of like being a kid in a candy store — especially with the CBS library unlocking a couple of years ago, which allowed us to bring big shows like “Star Trek” and “NCIS” onto the platform.

    Then, we build timelines, picking where to place shows and using data — such as how long someone spends on a channel — as a guide. Once everything is set, we can publish directly from our computers.

    Data is an important part of the process. We work closely with our Business Insights team to analyze metrics across VOD and linear, including total viewing hours (TVH).

    While we can get a pretty immediate read on what’s popping, we also zoom out weekly and monthly, which can be more helpful in illuminating broader trends and audience behavior. We can also assess how external factors — like if a film we’re showing has a sequel in theaters — impacted performance.

    Human curation means we can program for the zeitgeist

    Human curation makes the platform feel more personal. It also allows us to bring our passions to work, and creates an experience for viewers that can’t be replicated by technology.

    I’m a big anime fan — so I’m able to think about my job as a programmer and as a consumer. I go to Anime Expo every year, where I chat with superfans to see what’s new on the floor.

    One of my favorite anime series of all time is “One Piece.” I’ve been a fan for about 20 years, and I’m lucky to help program our One Piece channel on the platform.

    When we first met with the team from Toei Animation, I remember the meeting running long because we were talking so in-depth about what makes the series special. But I think that passion and personal connection factored into their decision to launch the channel with us. We are now up to about 750 episodes.

    There are superfans curating other channels, like movies and sports. There’s a “Star Trek” superfan who oversees that channel.

    When it comes to launching new ones, we look at pop culture trends, audience demand, and what is going on in a yearly calendar to create big moments.

    For instance, procedurals are huge for us. And within that, there are a lot of sub-genres to explore, like medical dramas or legal dramas. “Criminal Minds” is a great example. It consistently delivered strong numbers on our Crime Drama channel, so we knew expanding the library made sense — which led to a dedicated 24/7 Criminal Minds channel.

    In terms of getting rid of channels, we constantly monitor performance — but a dip in numbers doesn’t mean an immediate cut. First, we can try to add or move content or promote top shows.

    Human curation also enables us to program around the zeitgeist and different micro-events like National Donut Day, or the birthday of a popular anime character. And it enables us to adjust to real-time news. When Gene Hackman passed away, for instance, we had a movie marathon to memorialize him.

    Looking back at the last decade, it’s cool to see what works using data and also our instincts, but we’re still learning and adapting all the time. We started with a “try new things” mindset, and we still do that, because it works.

    Read the original article on Business Insider
  • 8 details you might have missed in season 3 of ‘The White Lotus,’ so far

    Patrick Schwarzenegger as Saxon and Sam Nivola as Lochlan in season three, episode three of "The White Lotus."
    Patrick Schwarzenegger as Saxon and Sam Nivola as Lochlan in season three, episode three of “The White Lotus.”

    • Season three of the HBO anthology series “The White Lotus” is underway.
    • The Thailand-set season features various hidden details and references.
    • The opening credits theme song has been adjusted and a notable actor has a voice cameo in episode two.

    Warning: Spoilers ahead for season three of “The White Lotus.”

    Mike White’s Emmy-winning anthology series “The White Lotus” is back, and there are plenty of details that eagle-eyed fans might pick up on.

    Season three of “The White Lotus” follows a new batch of privileged guests checking into the titular luxury resort chain’s Thailand location. Similar to past seasons, the latest installment incorporates hidden details. While some of the Easter eggs and references throughout the season are not-so-subtle, others are more discreet.

    Here are all the details and nods featured in season three of “The White Lotus,” so far.

    The main title theme song has been modified to fit the season three setting.

    <div>8 details you might have missed in season 3 of 'The White Lotus,' so far</div>
    “The White Lotus” season three opening credits pay homage to Eastern spirituality.

    Each season’s main title theme is composed by Cristobal Tapia de Veer and takes inspiration from the location.

    Season one’s “Aloha!” paid homage to Hawaiian sounds and rhythms. Meanwhile, season two’s viral “Renaissance” ditched the tropics for a tune that transformed from an operatic build to a club banger with 25 million streams on Spotify.

    Season three’s “Enlightenment” draws from Thai sounds and harkens back to the season’s overall theme of Eastern spirituality.

    “The song changes every season, and it reflects the tone, mood, and the themes of the season,” Gabe Hilfer, the show’s music supervisor, told Rolling Stone. “The theme songs for the first two seasons were a little bit more related creatively, but they’re totally different songs. Season three is about spirituality, and it’s meant to be reflective of that.”

    The opening credits imagery hints at each character’s storyline.

    Imagery of a man stuck in a tree in the opening credits for season three of "The White Lotus."
    Imagery of a man stuck in a tree in the opening credits for season three of “The White Lotus.”

    Sarah Catherine Hook’s name is accompanied by artwork of a woman meditating, which is appropriate since her character, Piper Ratliff, is a religious studies major who is writing a thesis on Buddhism.

    Patrick Schwarzenegger, who plays the eldest — and horniest — Ratliff sibling named Saxon, is credited alongside an image of two men ogling at a topless woman.

    Ratliff patriarch Timothy (Jason Isaacs), who’s in some kind of financial peril, is depicted by a man stuck in a tree.

    Mook (Lalisa Manobal) and Gaitok’s (Tayme Thapthimthong) sweet flirtation is mirrored by a woman and a man smiling under an umbrella. But the imagery for Thapthimthong’s title card — a man trying to tame a vicious tiger — alludes to Gaitok’s work struggles this season.

    On their way to the resort, the Ratliff siblings mimic the “see no evil, hear no evil, speak no evil” imagery.

    Patrick Schwarzenegger as Saxon, Sarah Catherine Hook as Piper, and Sam Nivola as Lochlan in season three, episode one of "The White Lotus."
    Patrick Schwarzenegger as Saxon, Sarah Catherine Hook as Piper, and Sam Nivola as Lochlan in season three, episode one of “The White Lotus.”

    As the Ratliff family travels via boat to the White Lotus resort with fellow guests, siblings Saxon, Piper, and Lochlan (Sam Nivola) sit on a bench and unintentionally reference the old proverb “see no evil, hear no evil, speak no evil,” which is usually symbolized by three monkeys in different poses.

    Saxon’s sunglasses cover his eyes (see no evil), Piper wears headphones over her ears (hear no evil), and Lochlan’s mouth is covered as he drinks from a bottle (speak no evil).

    Season three certainly hasn’t been subtle with the monkey symbolism. Time reported that there are more than 140 monkey statues sprinkled throughout Four Seasons Resort Koh Samui, one of the filming locations. These statues and the monkeys that the cameras linger on between scenes reflect the mischief and hijinks taking place at the resort.

    Patrick Schwarzenegger’s character, Saxon Ratliff, wears a $23,000 watch throughout the season.

    Patrick Schwarzenegger as Saxon in season three, episode two of "The White Lotus."
    Patrick Schwarzenegger as Saxon in season three, episode two of “The White Lotus.”

    Saxon is from a wealthy family and his attire and accessories reflect that. In the show, he’s seen wearing the Hublot Big Bang Unico Black Magic 44mm watch, which retails for $23,000.

    “Survivor” cast members Natalie Cole and Carl Boudreaux have cameos as resort guests in the season premiere.

    Carl Boudreaux and Natalie Cole in season three, episode one of "The White Lotus."
    Carl Boudreaux and Natalie Cole in season three, episode one of “The White Lotus.”

    Belinda sees them while dining and waves, happy to encounter other Black people at the resort who aren’t staff.

    The husband-and-wife duo is played by Carl Boudreaux and Natalie Cole, both of whom competed against “The White Lotus” creator, writer, and director Mike White in the reality TV show “Survivor: David vs. Goliath.”

    “Everything Everywhere All at Once” star Ke Huy Quan has a voice cameo in episode two.

    Ke Huy Quan at the world premiere of Netflix's "The Electric State" in February 2024.
    Ke Huy Quan at the world premiere of Netflix’s “The Electric State” in February 2024.

    Ke Huy Quan told Entertainment Tonight that he’s a big fan of the show and said yes right away when he was asked to be part of season three.

    The Oscar-winning actor’s character Kenneth Nguyen, aka Kenny, is first referenced during the season three premiere when Timothy Ratliff takes a call from a journalist at The Wall Street Journal who’s running a story about a shady business deal Kenny made. Timothy is connected because he did Kenny a favor and helped him set up a fund called Sho-Kel as part of some plan involving money laundering and bribery.

    Timothy finally gets a hold of Kenny near the end of episode two. Quan doesn’t appear in the episode, but his voice is clearly heard panicking on the other end of the line as they discuss why the Journal is investigating them.

    “Fuck me, I’m done,” Kenny tells Timothy, after explaining that 20 agents just raided his office and have his accounts, emails, and documents.

    Kenny continues ranting and says that a whistleblower in his office snitched on him to the media. Details about the business deal are sparse, but Kenny says that he never should have taken a position in Brunei, but the money was too good to pass up.

    Kenny also confirms that Timothy is “for sure” implicated.

    Chelsea getting bitten by a snake is foreshadowed by a moment in episode two.

    Aimee Lou Wood as Chelsea in season three, episode two of "The White Lotus."
    Aimee Lou Wood as Chelsea in season three, episode two of “The White Lotus.”

    In episode two, right before a masked man robs the hotel’s store, Chelsea (Aimee Lou Wood) asks an employee if she can look at a snake choker. Although Chelsea is unharmed, the near-death experience with the robber leaves her shaken.

    Then in episode three, she and her boyfriend Rick (Walton Goggins) attend a snake show. But Rick, who feels sympathetic toward the snakes, goes rogue and releases a bunch of them from their cages. As soon as Chelsea sees what Rick has done, she’s bit in the leg by a venomous snake and rushed to a hospital.

    Sam Rockwell, the real-life partner of season three star Leslie Bibb, has a surprise appearance in episode five.

    Leslie Bibb and Sam Rockwell in October 2024.
    Leslie Bibb and Sam Rockwell in October.

    Rockwell and Bibb, who plays Kate, have been dating in real life for nearly 18 years. They met at Chateau Marmont in West Hollywood in 2007 and they went on their first date shortly after.

    “I think three weeks later, I was, like, ‘I love you so much,’” she told Rosie O’Donnell during an appearance on “The Rosie Show.”

    Bibb and Rockwell’s characters don’t overlap in “The White Lotus,” though.

    Rockwell makes his first appearance during episode five, as Rick’s old friend Frank, who meets up with him in Bangkok to do him a favor.

    Read the original article on Business Insider